John
Maggiotto is an American artist, born into a large family from Buffalo,
New York. At the age of eleven his father taught him the basics of
photographic development. In college, Mr. Maggiotto’s interest
in photography followed a fine art approach. He chose the then recently
introduced Polaroid SX-70 camera as his sole instrument of production.
His instructors dismissed his choice as “not serious.” His
work was exclusively about television, and the painterly color palette
of the Polaroid format.
Mr. Maggiotto was part of the collective
of artists who formed the alternative space Hallwalls in
the late seventies. Here his work was recognized and included in
the 1979 Albright-Knox Art Gallery exhibition in Western New York,
curated by Linda Cathcart and Charlotta Kotic. In 1980, he moved
to Washington, DC to work at the National Endowment for the Arts. Abandoning the traditional paper based photograph, Mr. Maggiotto
began to print his work on large plates of plaster, a true departure
from the precious, intimate realm of the SX-70’s three inch
square. As in the earlier work, he takes the imagery from television.
An on-going exploration into the memory of mediated experience,
the imagery follows heroes, thieves, women in need…the gamut
of lives not lived but watched. This productive time was capped
by his first one-person show at Laurence Miller Gallery in Soho. Living near one of New York’s premiere marble yards led to
this current body of work. Marble is a metamorphic rock, natural
forces change it from its original form to its present state. Mr.
Maggiotto changes the meaning of images he finds in one context,
and recombines them into another.
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