| As
a sculptor, I create wood assemblage constructions, continually
striving to bring the two-dimensional painted stroke out into our
three-dimensional space. Through layering of my material, volume
is created that allows the viewer to participate in the emotional
content of my work. My content deals with the multiple feelings
which we experience daily, as they, too, are layered down within
us. Whether they are uplifting, fragile, celebratory, cautious or
energized, we as humans are continually balancing our emotions,
in our everyday life. The gesture of my strokes captures the emotional
qualities of life. my work suggests an intimacy and tactile quality.
Wood by nature is a hard and heavy material, and after I have transformed
it to satisfy my content, it becomes light and airy. This juxtaposition
is one that I enjoy. I work with thin plywood that I bend and manipulate
and then throw out into space, giving one the feeling of the painted
stroke in space. My background of painting and drawing is solid
in a traditional sense, but personally, I've taken the gesture of
the human figure and created more intimate shapes.
My
new sculptures are a tribute to women: their strength, their feminine
qualities, their caring nature. Women nourish and bring forth new
life. They embrace the future generations of the world. Although
I juxtapose representational with the abstract, it is abstraction
that remains my most dominant mission in conveying these feelings.
The human emotions of womanhood are a strong presence, in the intimate
shapes that I have created. I use wood as a natural fiber, in that
it represents the history of the time, just as do women. I bend
and caress the wood producing sensitive shapes that are personal
to me.
My exhibition career spans
20 solo exhibitions throughout the United States, and numerous,
selected juried shows, as well. In 2002, I was invited to have my
first museum exhibition at the midland Center for the Arts, in Midland,
Michigan. In addition, I gave a slide presentation and gallery talk
about the development of my line. My affiliation with Walter Wickiser
Gallery in Chelsea, New York City has been long standing.
Regardless
of one's own spoken language, my personal visual language of life's
emotions, can be understood by all, through dialogue and reflection
of the painted stroke in space.
News
Release
Manspeizer's sculpture
"Tsunami Women Weep" won Best in Show at Iona College,
in 2007. Her outdoor sculpture "Harmony" has recently
been added to the permanent collection of the Vero Beach Museum
of Art, in Florida.
Ms. Manspeizer was awarded
a solo exhibition at the Bendheim Gallery at the Greenwich Arts
Council, in Greenwich, CT, from March-April 2007.
The curator for GE in
Fairfield, CT. recently selected 5 pieces of sculpture for the World
Headquarters for a six month exhibition. Her sculpture, A Symphony,
was awarded an honorable mention in the Best of New York Artists,
publication, 2006.
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