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(September 24 - November 6, 2005)
FOR IMMEDIATE RELEASE
Poem as Image:Poetry in Contemporary Visual
Art
Words and Images by
11 Contemporary Artists and Poets in all media from outdoor sculpture
to intimate drawing.
The
Studio: An Alternative Space for Contemporary Art
is pleased to announce a juried group exhibition entitled " Poem
as Image " which opens September 24 and runs through
November 6 . A Call for Entries published in print and on
the internet brought
submissions from 75 artists from 4 continents. The
curator,
Cathrin Hoskinson ,
has selected 11 contemporary artists and poets
whose original and vibrant
work concerns the mixture of word and image. Artists from across the
country (Seattle, Chicago,
Florida,
the New York area, as well as Canada and France)
are exhibiting work in all media from outdoor sculpture to intimate drawing.
Ms.
Hoskinson states, "Consumer culture surrounds us with aggressive
word and image information, meant to convince on rational as well as subconscious
levels. By contrast, the work in this show focuses on the quieter, individual
voice, which questions the structure of language or the possibility of
communication, and which speaks of love, memory and the fragility of humanity.
A poem can slow down and rearrange language, crystallizing experience
through the selective use of words as signs and symbols. The subject of
this show is the metaphorical common area between what is felt, what is
seen, its image, what is spoken, its sign. The words themselves become
the image and what attempts to be spoken becomes objectified - layered,
fragmented, scratched out, isolated, scattered."
The Artists of "Poem as Image" exhibition:
Doug DePice combines many
systems of description in his intense drawings. The markings of words,
symbols of mathematics, and artistic forms combine with maps and weather
charts in a layered complexity. Joseph Mills meticulously
recreates in paint bits of paper and edited manuscript to preserve the
processes of thought in the creation of a written work, to trace its history
while emphasizing the fragility of the gestures of the text on the paper.
Stephen Spretnjak uses a wall installation as a kind
of collage, in which the word/ poem elements are isolated and preserved
in plastic sheets. The effect, which travels up the wall in a grid, is
of an on-going poetic investigation. Armelle Chitrit's
poems follow every line of the form of her drawings of vegetables in a
sensuous dialogue referring to tasting and speaking; Joan Stuart
Ross layers and cuts into her surfaces of encaustic, breaking
up a dense narrative structure by strokes and scratches. Words become
gesture in the sensuous paintings of Soheila Esfahani,
who writes out the love poems of Rumi in Arabic, and references to Persian
miniatures fill the evocative prints of Anna Bhushan,
whose image-poems breathe
out the verses of Omar Khyam. Words which are basically text become three-dimensional
in the work of Sheila Hale who uses books as sculptural
forms, urgently invaded by image and evocative gesture,and in Debbie
Sutton's latex shadows which lounge on a bench holding near
the heart the text of a forgotten conversation. Words abandon conventional
structure and become an environment to experience through the body in
the exuberant installation by Nick Carbo'. His hanging
balls marked with color-coded words are read while walking through and
around the space. Ali Naschke-Messing also addresses
the spatial relationship of language in a dispersal of words written on
shells. They form a scattered utterance which sifts through the fingers.
This
exhibit not only challenges conventional viewing of art and reading of
poetry, it resonates deep within the psyche though its beauty and depth
of spirit.
Poetry
Reading
by Marc
Straus on October
29th:
Straus
has received many poetry awards including the National Poetry Competition,
and the Robert Penn Warren Award in Humanities from Yale University Medical
School. He is also the Founder of The Hudson Valley Center for Contemporary
Art.
The
poetry reading will be from Not God.
Not God is a poem play with 2 characters, a
hospitalized woman and her physician. It was the basis of a museum show
in 2004 at Lehigh University
Art Galleries.
Not God was also produced off Broadway in 2004
and 2005. The Poetry reading is on October 29th at 2:00pm.
A book signing will follow the poetry reading. Suggested donation:$5.00,
Reservations are required. Limited seating is available.
The
Studio is open Saturday and Sunday 1 to 5pm during exhibitions and by
appointment Tuesday through Friday. For further information, please contact
Katie Stratis at (914) 273-1452 or visit The Studio's web site at www.thestudiony-alternative.org.
*****

Copyright:
The Studio 2005
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